ABOUT

Janelle Abbott (JRAT) was born into the fashion industry—her parents owned a clothing manufacturing company where they produced Tencel garments in Seattle for over 20 years. This early exposure to the BTS of garment production gave Janelle a sense of reverence for the labor involved in creating clothing. She received a BFA in fashion design from Parsons School of Design and after graduation, her former professor, Timo Rissanen, employed Janelle to sew white t-shirts in Helsinki’s Amos Anderson Museum as the subject of “15%”, an installation conceived with Salla Salin. The objective of the installation was to highlight both the wastefulness of the industry as well as the hidden labor behind garment production. The performance was later reprised at New York City’s Kellen Gallery with Janelle performing once again.

By the early 2010’s, the boutique nature of her parents business was no longer the industry norm; fast fashion had taken hold of the consumer market, subjugating millions of garment workers to unethical, slave-like conditions in order to keep the cost of manufacturing artificially low and the profits for CEOs and share-holders astronomical. In the face of the unethical, exploitative, and environmentally damaging agenda of corporate fashion, Janelle decided to carve her own path—one committed to upcycling, sustainability, hand craft, and the zero waste design methodology.

Zero waste patterns are like puzzles: each pattern pieces fit together so that nothing is wasted, whereas traditional methods discard 15% of textiles. Through her brand JRAT, Janelle seeks to reclaim as much as possible from the trash heap of hyper consumerism in order to reduce the weight of modern life on our fragile, precious planet. Reclaimed, found, second-hand, and donated goods are the foundation of the clothing, furniture, sculpture, costuming, and other works of art that she creates. Aside from being environmentally positive, used materials also hold sentimental, emotional, and historical value—these narratives of past lives live on through her work in whispers and echoes.

Janelle works with private clients through an initiative called Wardrobe Therapy which begins with an intensive interview process so that Janelle can holistically understand the clients relationship to fashion—how it started, where it’s at, where they desire their style to go. She then reconstructs loved yet unworn garments from the client’s wardrobe into pieces they will wear once again and love all the more.

Densely pleated, boldly clashing, and unexpectedly rhythmic, Janelle’s work is scrappy, unapologetic, and a testament to just how much time and energy it takes for real humans to produce every consumer product we engage with.

PRESS

Seattle Times | PNB brings joy to the room, with works new and old | 11/2025 | Moira Macdonald

Seattle Times | Seattle fashion designer Janelle Abbott creates with zero waste | 10/2025 | Gemma Wilson

Pre-Loved Podcast | S9 Ep32 JRAT: artist and designer, Janelle Abbott – on growing up in her parents’ Seattle clothing factory, and choosing a zero-waste path into fashion design | 10/2025 | Emily Stochl

Babygrrrl | “Pretty/Ugly Princess”: Janelle Abbott on JRAT’s Feral Fairytale at NYFW | 09/2025 | Sara R. Radin

Not Yet Magazine | La fashion designer Janelle R. Abbott she, con il suo brand Jrat, ci riporta all’infanzia | 07/2025 | Jacopo Naldi

Schon Magazine | “she doesn-t belong here” | 06/2025 | Ivan Resnik

Puck Magazine | “HOMESICK, AGAIN” JRAT FW25 | 05/2025 | Lesley Ware

425 Magazine | Artist Janelle Abbott Will Always Put Ethics First | 05/2025 | Blake Peterson

ESK | The Halo Report: 3.12.25: Get Verklempt | 03/2025 | Em Seely-Katz

Qui | 3枚のTシャツが一着に、ゼロ・ウェイスト・デザインに取り組む JRAT のTシャツ — QUI エディター武者のイットアイテム vol.11 | 03/2025 | Yukako Musha

Seattle Met | Seattle Designer Janelle Abbott Goes Big on Everything | 02/2025 | Karly Quadros